"Interior with Mother and Child" by Elizabeth Nourse |
Nourse participated in her last Salon in 1921 with one oil and two pastels. An oil version of 'Consolation' was left in her estate and her scrapbook contains a photograph dated 1914 showing the models posing for it. Painted in warm colors of russet, blue and orange, the oil must have seemed distinctly old-fashioned to the postwar public, which by then had seen a rapid succession of modern styles.
Realist subject matter, at least the type that had been presented at Paris Salons for so many years, appeared to have little future. Nourse must have recognized this because in 1924 she ceased to exhibit and continued to paint only for her own pleasure. She was then sixty-five years old and unwilling to accept recent trends in the art world that seemed to negate the importance of recognizable subject matter.
Six years later, in 1930, she wrote: 'There is little in art since the War to make one enthusiastic. I do not hold at all with the latest fads, the Cubistes - the Fauves - as they are called. Do you know Camille Manclair's 'La Farce de l'Art Vivant'? He expresses my opinion very clearly."
To be continued
(Excerpts from "Cincinnati Societaire" by Mary Alice Heekin Burke in "Elizabeth Nourse, 1859-1938: A Salon Career)
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