"Head of an Algerian" by Elizabeth Nourse |
These were far outshone, however, by her virtuoso performance in 'Head of an Algerian,' a portrait of richly contrasting colors and textures probably painted while the artist was on a side trip to Biskra, Algeria. The French interest in their newly acquired African colonies reinforced the vogue for orientalisme begun earlier in the century, and Nourse gave way to the exotic appeal of her subject.
Nourse's three-month sojourn in North Africa undoubtedly reinforced her inclination to adopt a brighter palette. From this time on she tended to use more vivid greens, blues, and violets in her landscapes and showed a preference for lighter shades of blue, lavender and rose in her other oil paintings."
To be continued
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