Landscape by Charles Hawthorne |
See if you can't simply put
down spots of color and let the results take care of themselves. You
have got to be able to see these spots come together without outline and
let the outline come after. Look to the center of color spots and don't
be so particular about where the edges come together.
Don't
depend upon outline to make dark against light - it's all a matter of
silhouettes. To paint a tree look at the sky in comparison. See the tree
in relation to the sky, the house, the road.
Don't
see so many little things. Refuse to see details. You don't have to
draw the whole town if you paint. Better put it down so that it sits in
air than to make a better drawing without the vitality. Have a large
general vision so you can discriminate. However, one has to be very
careful what one says about drawing, for it isn't that I don't want you
to bother with drawing but that I don't want you to do it at the expense
of the other thing.
If you will only put a
spot of color in the right relation to other spots, you will see how
little drawing it takes to make form. Let color make form, do not make
form and color it. Work with your color as if you were creating mass,
like a sculptor with his clay. Interest yourself in the relation of one
color to another. In this way your color rather than drawing creates
form. The values rather than the drawing make a boat stay behind the
piles of a wharf.
How many people pass this
place every day and never see it! Once it is seen, painted, and put into
a frame everyone will come to look at it. It's the artist's
business,the painter's job to point out to the public the beauties of
nature."
To be continued
(Excerpts from "Hawthorne on Painting" by Charles Webster Hawthorne.)
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