Elisabeth-Louise Vigee-Lebrun: Member of the Royal Academy

"Self-Portrait in a Straw Hat" by
Vigee-Lebrun

"The Straw Hat" by Rubens

From the "Memoirs of Madame Vigee-Lebrun: 

"In 1782 M. Lebrun took me to Flanders, whither he was called by affairs of business, where we saw the masterpieces of Rubens. In one of them, at Antwerp, I found the famous 'Straw Hat,' which has lately been sold to an Englishman for a large sum. This admirable picture represents a woman by Rubens. It delighted and inspired me to such a degree that I made a portrait of myself at Brussels, striving to obtain the same effects. I painted myself with a straw hat on my head, a feather, and a garland of wild flowers, holding my palette in my hand. And when the portrait was exhibited at the Salon I feel free to confess that it added considerably to my reputation. The celebrated Müller made an engraving after it, but it must be understood that the dark shadows of an engraving spoiled the whole effect of such a picture. 

Soon after my return from Flanders, the portrait I had mentioned, and several other works of mine, were the cause of Joseph Vernet's decision to propose me as a member of the Royal Academy of Painting. M. Pierre, then first Painter to the King, made strong opposition, not wishing, he said, that women should be admitted, although Mme. Vallayer-Coster, who painted flowers beautifully, had already been admitted, and I think Mme. Vien had been, too. M. Pierre, a very mediocre painter, was a clever man. Besides, he was rich, and this enabled him to entertain artists luxuriously. Artists were not so well off in those days as they are now. His opposition might have become fatal to me if all true picture-lovers had not been associated with the Academy, and if they had not formed a cabal, in my favour, against M. Pierre's. At last I was admitted, and presented my picture 'Peace Bringing Back Plenty.'

I cared so little about money that I scarcely knew the value of it. The Countess de la Guiche, who is still alive, can affirm that, upon coming to me to have her portrait painted and telling me that she could afford no more than a thousand francs, I answered that M. Lebrun wished me to do none for less than two thousand. My closest friends all know that M. Lebrun took all the money I earned, on the plea of investing it in his business. I often had no more than six francs in my pocket and in the world. When in 1788 I painted the picture of the handsome Prince Lubomirskia, who was then grown up, his aunt, the Princess Lubomirska, remitted twelve thousand francs to me, out of which I begged M. Lebrun to let me keep forty; but he would not let me have even that, alleging that he needed the whole sum to liquidate a promissory note.

My indifference to money no doubt proceeded from the fact that wealth was not necessary to me. Since that which made my house pleasant required no extravagance, I always lived very economically. I spent very little on dress; I was even reproached for neglecting it, for I wore none but white dresses of muslin or lawn, and never wore elaborate gowns excepting for my sittings at Versailles. My head-dress cost me nothing, because I did my hair myself, and most of the time I wore a muslin cap on my head, as may be seen from my portraits."

To be continued