"Cappuchin Monk" by Elizabeth Nourse |
In a letter from Assisi to her twin, she described one of them, 'Le pardon de Saint Francois d'Assise,' her most ambitious work to date, as 'a huge picture in the church with at least twenty models and numerous dabs which represent another twenty. On loan from its owner, a Cincinnati woman, this painting and 'Peasant Women of Borst' were exhibited in the Cincinnati Room at the World's Columbian Exposition of 1893 in Chicago. [Sadly its current location is unknown.]
Nourse's Italian sojourn produced at least twenty-five paintings that she was to exhibit later, including 'A la fontaine.' The reception this work received in Paris in 1891 proved that the artist's decision to join the New Salon was a fortunate one. Both 'A la fontaine' and another work were illustrated in the Salon's livret, an honor that would never have been accorded a young American's entries in the Old Salon."
To be continued
(Excerpts from "Cincinnati Societaire" by Mary Alice Heekin Burke in "Elizabeth Nourse, 1859-1938: A Salon Career.")
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