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| "Wivenhoe Park, Essex" by John Constable |
In his first lecture he traced landscape art from the specimens found upon the walls of Herculaneum and Pompeii, of a purely decorative kind, through the earliest painters of the Renaissance, to the illuminated manuscripts of the thirteenth and fourteenth centuries to the maturer years of the great Italian school. From thence he passed to the Poussins, Claude Lorraine, and the Flemish and Dutch masters. At this point landscape art rapidly declined and for nearly a whole century it lived upon the mannered and feeble imitations of past tradition. From this degraded state the revival of healthy landscape painting was mainly due to the English. This is a brief summary of his talk, which was afterwards developed into a series of four delivered at the Royal Institution in Albemarle Street.
In October 1835 Constable delivered three lectures at Worcester. In preparation for this he wrote: 'It will be more agreeable to myself to lecture in morning, as my tables and specimens can be better seen, and I hope it is now so planned... We must be early in the morning on Tuesday, so that we can get the room ready and a cloth hung up. My four sheets of double elephant [paper], about ten feet in height, and a few things besides.' One purpose of his lectures was to teach his audience that a close study of nature must come before its translation into any ideal form."
To be continued
(Excerpts from "John Constable, R.A." by Robert George Windsor-Clive.)

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