Saturday, March 21, 2026

Augustus Saint-Gaudens: Critiques

A.P. Proctor standing with his
Theodore Roosevelt sculpture
Homer Saint-Gaudens wrote: "A number of young men made themselves known in the last five years of Augustus Saint-Gaudens, men such as A.P. Proctor, James E. Fraser, H.A. MacNeill, Adolph Weinman and Albert Jaegers. At the date of my father's death his interest in them was probably as vital as in any other members of his craft, because in them, he believed, lay the immediate future of American sculpture. Here are three letters he wrote concerning them. [They also speak to us of those qualities in art he admired.]

The first he sent to his brother, Louis Saint-Gaudens, concerning the latter's figures for the Pennsylvania Railroad Station in Washington: 'I wrote a line or two on your ensemble drawing the other day, but as I was feeling miserably I said as little as possible and failed to tell you how well the thing looked as a whole, how the figures carried together harmoniously and yet were diversified... There is no doubt that the work cannot be too direct, that large simple lines and planes with strong dark shadows are the essentials.'

The next letter was to Mr. A.P. Proctor, for a long time my father's assistant: 'I return to you today the sketch of the lion... I think it is excellent as all your work is. I only feel that for architectural work it should be more in planes, more formal... You will forgive me for speaking just as frankly as I always have about your work, and as I wish people to do with me. I think you have not insisted enough on the nobility and force and power of the mane of the lion...The head does not bear the importance to the rest of the body - the overpowering importance that one generally feels with a lion...'

In the following letter my father speaks of Mr. Albert Jaegers, a younger sculptor in whom he took an unusually deep interest: 'I may have been prejudiced in the character of Jaeger's work but it appealed to me in a singular way and it really taught me a lesson in my own work. I certainly wish that I could have done that figure in its dignity, directness, and simplicity. I think also that the poetry of the groups on the side is very fine.'

To be continued

(Excerpts from "The Reminiscences of Augustus Saint-Gaudens" by Augustus Saint-Gaudens and his son, Homer Saint-Gaudens.)

 

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