"Lady and Child Asleep in a Punt under the Willows" John Singer Sargent |
Abbey insisted on Sargent coming to Broadway to recover, and so in September, 1885, Sargent took up his residence at the Lygon Arms, the seventeenth-century inn in that village. He carried with him a sketch of the effect he had noted on the river. It was the origin (so far, at any rate, as the arrangement of light) of the picture 'Carnation, Lily, Lily Rose.'
In those days Broadway had not added to its serpentine length a tail of modern dwellings; the traveller from the vale of Evesham to the Cotswolds was met, at his entrance into the village, by the sight of Russell House, with its tithe barn and old-world aspect.
In 1885 the Millets and Abbey were sharing Farnham House, which lies a few paces higher up the village street. Of this place Sir Edmund Gosse wrote: 'The Millets possessed on their domain a medieval ruin, a small ecclesiastical edifice, which was very roughly repaired so as to make a kind of refuge for us, and there Henry James and I would write, while Abbey and Millet painted on the floor below and Sargent and Parsons tilted their easels just outside.'"
To be continued
(Excerpts from "John Sargent" by Evan Charteris.)
weir: 1. A low dam built across a river to raise the level of water upstream or regulate its flow. 2. An enclosure of stakes set in a stream as a trap for fish.
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