"El Jaleo" by John Singer Sargent |
This expedition to Spain and Morocco resulted in several of his well-known works - among them 'Fumee d'Ambre Gris,' 'The Alhambra,' 'The Court of the Lions,' 'Spanish Beggar Girl,' 'Spanish Courtyard,' 'El Jaleo' and the 'Spanish Dance,' which, like so much of his early works, are now only to be seen in America.
'El Jaleo' [roughly translated as 'The Ruckus'] was subsequently bought at the 1882 Paris Salon. A critic for 'Le Figaro' called the painting 'one of the most original and strongest works of the present Salon.' The purchaser was Mr. T. Jefferson Coolidge, a relative of Isabella Stewart Gardner, who told her that the picture should one day be hers.
Anticipating the day when the picture would be hers, she built an alcove in her music-room at Fenway Court, framed in a Moorish arch, and along the floor arranged a row of electric lights which would reproduce, as far as possible, the conditions under which the picture had originally been painted. Mr. Coolidge, when he saw these preparations, accelerated his generous intentions and handed the picture over to be installed in this flattering environment. Sargent also presented her with an album of pencil drawings he had made as preparatory sketches for the work and twenty-two flamenco records, expressing strong preferences for certain singers and types of songs."
To be continued
(Excerpts from "John Sargent" by Evan Charteris and the Isabella Stewart Gardner museum website.)
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