Joseph Pennell: A New Home and Studio

"Wren's City Out of the Adelphi Terrace Windows"
by Joseph Pennell

"Although his home and studio on Buckingham Street in London never ceased to please Joseph Pennell, he could not resist the finer views he could have just two short blocks away on the top floor of the Adelphi Terrace House. He could look down upon an unsurpassed arrangement of the Thames, Waterloo Bridge and Wren's City. It gave him one of his unfailing inspirations: why not build a studio on the roof from which Westminster Abbey to the west, as well as St. Paul's to the east, could be seen. The architect thought it was a good idea and improved upon it. He built not merely a studio, but an entire fourth floor divided into three flats, and for two of them Pennell signed a lease of twenty-one years without flinching.

Of the flat on the river front he made his studio - a palace indeed compared to his old one. The splendour of London was spread out before him. Space was plentiful for shelves and a long, low chest of drawers to store prints and drawings in. A large closet held his huge collection of old paper for printing. The press with its paraphernalia was sold for one of the less picturesque, more practical presses the Bank of England printed its bank notes on, until hand was exchanged for electric power. The walls were bare, a single print hanging in the studio, papered in grey, but this print appropriate: Toulouse-Lautrect's affiche for 'L'Estampe Originale.' The white or pale rose on the other walls made a good background for the few Whistlers and Pennells hung. The rooms were as empty as our needs allowed, a few rugs on the well-polished floors, a few pieces of indispensable furniture. The emptiness was a beauty in itself. 

We moved in towards the end of March and I doubt if we could have moved in then, or ever, without the help of Augustine. I wonder I have not said before that she was the stay and support of the household, and had become one of the family. She was the most competent of women, a genius as a cook, a paragon of order and cleanliness. And from the first day she understood Pennell, helped him in a hundred ways, saw to the packing up and sending off of his drawings and prints, when in France hunted up old paper for him, had no fear of work, and was the only person with the courage to scold Whistler when late for dinner. 

Thanks to her powers of organization by the middle of April, Pennell, with his blocks of brown paper and his coloured chalks, was in Italy, finishing 'Italian House,' journeying as far south as Rome, Civita Vecchia, and Naples. By the end of May he was back, writing to Harrison Morris about the Whistler Memorial and a proposed exhibition of American artists in London, and answering Van Dyke's suggestion for a New York book."

To be continued

(Excerpts from "The Life and Letters of Joseph Pennell, Volume Two" by Elizabeth Robins Pennell.)